Posts Tagged 'THE COMEDY'

LUV, GAYBY, THE COMEDY, and 9 More Announced for Maryland Film Festival 2012!

Following up on last week’s first line-up announcement, the Maryland Film Festival proudly announces twelve more features for MFF 2012 (May 3-6 in downtown Baltimore).

Among these titles are LUV, the Baltimore-shot drama which premiered at Sundance 2012 and boasts an all-star cast that includes Common, Charles S. Dutton, Danny Glover, and Michael Kenneth Williams; GAYBY, fresh from its premiere at SXSW 2012, a warm-hearted comedy about two best friends, a gay man and straight woman, who decide to have a child together; and THE COMEDY, a dark and challenging mix of comedy and drama starring Tim Heidecker.

As with every year, the MFF 2012 full line-up will include 40+ new feature films and 75+ new shorts from around the world, as well as a vintage 3-D filma silent film with live music by Alloy Orchestra, and a favorite film selected by legendary filmmaker and MFF board member John Waters.

All U.S.-made feature films will be presented by their filmmakers.

Without further ado, the second batch of features announced for MFF 2012 are:

ATTENBERG (Athina Rachel Tsangari)
A young woman with a bizarre way of looking at friendship, love, and life spends long hours with her father, their small town’s chief architect now on his deathbed. DOGTOOTH fans take note: ATTENBERG is directed by that film’s associate producer, co-stars that film’s director Yorgos Lanthimos, and has an offbeat sensibility that, while all its own, can only have DOGTOOTH as its closest point of comparison.

THE COMEDY (Rick Alverson)
Tim Heidecker stars in this abrasive, challenging, and yes, hilarious film, arguably closer in tone to FROWNLAND or THE IDIOTS than it is TIM AND ERIC’S BILLION-DOLLAR MOVIE. A group of jaded, ultra-privileged Brooklynites with sharp comedic tongues and little respect for social norms seeks out confrontational situations, with sometimes shocking results.

EMPIRE BUILDER (Kris Swanberg)
A young mother (Kate Lyn Sheil, also of MFF 2012 titles SUN DON’T SHINE and THE COMEDY) seeks a rural retreat from the doldrums of married life. The second feature film from Kris Swanberg (MFF 2009’s It was great, but I was ready to come home).

FOUND MEMORIES (Júlia Murat)
In this stunningly shot drama from Brazil, a young female photographer sets out on a hike and stumbles upon a mysterious village populated entirely by elders. Her well-intentioned presence there disrupts the flow of their daily rituals, causing them to contemplate their mortality and look at life differently.

GAYBY (Jonathan Lisecki)
Warm-hearted, often explosive humor and vibrant characters drive this crossover comedy about best friends—a gay man and a straight woman—who in their 30s decide to make good on their promise they made back in college to have a child together.

KID-THING (David and Nathan Zellner)
This beautifully shot feature from the directors of GOLIATH (MFF 2008) shows us a slice of Texas populated by listless moments, odd behavior, and piles of pop-culture debris – all seen through the eyes of a mischievous 10-year-old girl who, through solitude, has developed a unique outlook on life.

LUV (Sheldon Candis)
An all-star cast that includes Common, Charles S. Dutton, Michael Kenneth Williams, Dennis Haysbert, and Danny Glover drives this Baltimore-set drama about a man who, just released from prison and trying to start a new life for himself, takes an interest in teaching his 11-year-old nephew how to be a man.

OSLO, AUGUST 31st (Joachim Trier)
From the director of the spectacular REPRISE (2006) comes this poetic and deeply moving account about a recovering addict on his first day leave from a recovery program. As he reconnects with old friends and family and fantasizes about a clean life on the outside, will he fall prey to his old demons? Reverently based on the same novel that inspired the Louis Malle classic THE FIRE WITHIN.

THE PATRON SAINTS  (Brian M. Cassidy and Melanie Shatzky)
This extraordinary documentary gives us a poignant look into the daily lives of residents of a home for the aged and disabled. Incapable or unwilling to self-censor, they say whatever is on their minds, giving us unforgettable access to a phase of human life we may have never before looked at head-on.

PILGRIM SONG (Martha Stephens)
In this atmospheric, sensory-rich mix of comedy and drama, a downsized middle-school teacher in a struggling relationship sets off alone for a hike on the Sheltowee Trace Trail, meeting a cast of characters worthy of Kaurismaki or Jarmusch along the way.

THE SOURCE  (Jodi Wille and Maria Demopoulos)
This is the ultimate documentary about The Source Family, a spiritual group that formed in L.A. during the height of the psychedelic era. Central to their story is their Sunset Strip restaurant The Source, their albums and performances as Yahowa 13, and, above all, Father Yod, a former Marine and jujitsu expert who reinvented himself first as a vegetarian restaurateur and then as a spiritual guru.

WILD IN THE STREETS (Peter Baxter)
Since medieval times, the UK town of Ashbourne has played an annual, multi-day game that divides the town into two groups, the Up’ards and Down’ards, each hellbent on carrying a beautiful handmade four-pound ball to one of two goals three miles apart. This riveting documentary captures the tradition in all its sweat and glory.

Note for press: Festival artwork and images for announced titles are available for download here:

http://mdfilmfest.com/press_images.cfm

Eric Allen Hatch’s SXSW 2012 Wrap-Up

10 days in Austin, 32 feature films in theaters, another 6 on my laptop, and an undisclosed number of wild-at-artichoke-heart pizzas from the Alamo drafthouse: these are the stats behind my SXSW 2012 experience. What might get lost in those numbers is just how many of those feature films were excellent.  Limiting myself to 10 examples is tough, but here’s a few standing out in my memory as I grab one last coffee from Epoch and wait for the airport shuttle to show.

[in alphabetical order]

Film still from BAD BRAINS.

BAD BRAINS: BAND IN DC – This is a lo-fi, scrappy documentary, as well it should be. The DC hardcore scene was basically invented by these young African-Americans, who started out in jazz but soon infused the new punk genre with harder tempos and more positive ideals. Punk soon became just one element in their sound, joined by reggae, metal, and more, even as dynamo frontman HR’s personality began to morph in new and strange directions, making their 30-year journey a tumultuous one.  Ian MacKaye, The Beastie Boys, and many others weigh in on the importance of this singular band.

BROOKLYN CASTLE – It turns out that the middle school Jay-Z attended now produces an inordinate amount of world-class chess players—but funding problems have the school’s exceptional chess program under assault. I won’t lie, I cried. Fans of Word Wars and Spellbound take note!

THE COMEDY—Tim and Eric both shine in this film, but it’s much closer in tone to FROWNLAND than their BILLION-DOLLAR MOVIE.  This is an abrasive, challenging film about very privileged characters behaving very badly, and audiences have been wildly divided. I think it’s one of the best films of the year, reading it as an essay of sorts on the bleak interior landscape of someone whose sense of humor knows no boundaries.

GAYBY—Warm-hearted, often explosive humor and vibrant characters drive this crossover comedy about best friends—a gay man and a straight woman—who in their 30s decide to make good on their promise they made back in college to have a child together. This isn’t a “gay film” per se—it’s an uproarious indie ensemble comedy that happens to be set in gay New York today.

GIRL WALK // ALL DAY – Anyone who knows me knows that if I’m recommending a feature-length dance video, it’s something special. This is a narrative film told through dance, shot on the streets of New York City without permits but with an ecstatic sense of spontaneous creation. Not since a revival screening of Stop Making Sense at The Senator twenty years ago have I seen a film audience jump out of their seats and dance en masse.

GIRLSLena Dunham’s new HBO series confirms her talent as expressed in the 2010 SXSW award-winner TINY FURNITURE. A funny, graphic satire of the sex lives of young New Yorkers worthy of comparisons to Bret Easton Ellis, Woody Allen, Nicole Holfcener, and yes, series producer Judd Apatow.

JEFF—Billed as a documentary, this film about three lives forever changed by Jeffrey Dahmer is actually an experimental hybrid of narrative and doc forms. Evocative sequences of a fictional Dahmer shopping for fish tanks and formaldehyde are balanced with revelatory real-life interviews with an elderly neighbor who trusted “Jeff,” the medical examiner who identified the victims, and the prosecutor who got the killer’s confession. Amazingly, it’s a film about Jeffrey Dahmer that feels very PG (okay, maybe PG-13).

PILGRIM SONGMartha Stephens’ narrative about a laid-off schoolteacher embarking on a hike of self-discovery along the Appalachian Trail was one of the quietest films of the festival, to its credit.  A million miles from the meth-addled violence of WINTER’S BONE, imagine a tone akin to OLD JOY punctuated by colorful characters worthy of Jarmusch and Kaurismaki, and you’re in the right ballpark.

Film still from THE SOURCE.

THE SOURCE – What happens when a cult leader no longer wants to be a cult leader? Ultimately, that’s the central question posed by this exceptional documentary about “The Source” commune from early 70s L.A., led by restaurateur-turned-new-age-prophet Yahowa.

Film still from SUN DON'T SHINE. Credit: kentuckeraudley.tumblr.com.

SUN DON’T SHINEAmy Seimetz’s sweaty, grimy, swampy narrative feature is Florida-set and 16mm-shot. If you share my fascination with the way today’s vanguard filmmakers reference the aesthetics of 60s and 70s renegade filmmaking, well… this one’s for us.

– Eric Allen Hatch, Director of Programming