Posts Tagged 'New York Times'

MFF Alum Rory Kennedy’s LAST DAYS IN VIETNAM Opens Today at the Charles Theater!

LDVMFF Alum Rory Kennedy‘s new award-winning documentary about the chaotic final days of the Vietnam War, LAST DAYS IN VIETNAM, opens in Baltimore today at the Charles Theater.  Click here to purchase tickets.  LAST DAYS IN VIETNAM premiered at the 2014 Sundance Film Festival.
Perhaps the most striking thing about LAST DAYS IN VIETNAM, Rory Kennedy’s eye-opening documentary about the 1975 evacuation of the American Embassy in Saigon, is how calmly it surveys what was once among the angriest topics in American political life. The story is full of emotion and danger, heroism and treachery, but it is told in a mood of rueful retrospect rather than simmering partisan rage. Ms. Kennedy, whose uncle John F. Kennedy expanded American involvement in Vietnam and whose father, Robert F. Kennedy, became one of the ensuing war’s most passionate critics, explores its final episode with an open mind and lively curiosity. There are old clips that have never been widely seen and pieces of information that may surprise many viewers.
– The New York Times, 9/4/14

Rory Kennedy’s award-winning documentary ETHEL screened within the 2012 Maryland Film Festival and again as part of the MFF/WYPR Spotlight Series.

Film Synopsis
During the chaotic final days of the Vietnam War, the North Vietnamese Army closes in on Saigon as South Vietnamese resistance crumbles. The United States has only a skeleton crew of diplomats and military operatives still in the country. As Communist victory becomes inevitable and the U.S. readies to withdraw, some Americans begin to consider the certain imprisonment and possible death of their South Vietnamese allies, co-workers, and friends. Meanwhile, the prospect of an official evacuation of South Vietnamese becomes terminally delayed by Congressional gridlock and the inexplicably optimistic U.S. Ambassador. With the clock ticking and the city under fire, a number of heroic Americans take matters into their own hands, engaging in unsanctioned and often makeshift operations in a desperate effort to save as many South Vietnamese lives as possible.

Weekend viewing tips

We’re in that rough patch for moviegoing-  post-Oscar, pre-Memorial Day, (pre-MFF !!!), but there are some amazing movies to see. THE WHITE RIBBON, a recent Best Foreign Film nominee, and nominee for Best Cinematography, is a visually stunning study of the unacknowledged realities that are often part of small town life.  The fictional German baronial village portrayed in the movie, set just before WWI, seems to be nothing if not stable. From the mysterious opening shot, you can feel the ground shifting under the children and adults in this tiny community, disrupting its Germanic discipline. And, of course, the children will populate the Third Reich. From Austrian Michael Haneke.

THE PROPHET, also fresh off its Best Foreign Film nomination, amazingly finds new ground to explore in the prison/gang/underworld genre. Director and co-writer Jacques Audiard takes us inside one prison outside Paris where civilization divides starkly between gangs, Corsicans or Muslims. We watch a new prisoner who speaks both Arabic and French try to learn the ropes before they entangle him. I liked last year’s much-praised GOMORRAH, but think this is better.

And, don’t miss ALICE in 3D (Melina got to see the Imax presentation; I saw it in Digital 3D at White Marsh),  or the terrific article about David Simon and company in Sunday’s NY Times Magazine. He’s in New Orleans, alas, shooting a new HBO series, TREME.

-Jed Dietz, MFF Director

More Berlinale Updates

In today’s NY Times, Dennis Lim surveys the Berlinale, know as the granddaddy of all film festivals. Along with comments about the well known figures like Scorsese, Polanski, Von Trier, and unique events like a screening of the magical new cut of METROPOLIS,  is this comment:

“Among the more adventurous films in the Forum section Yang Rui’s “Crossing the Mountain,” a portrait of a southwestern Chinese village, splits the difference between ethnography and avant-garde fiction. And Matt Porterfield’s “Putty Hill,” set among alienated kids in suburban Baltimore, also subverts its realist aesthetic with formal trickery, encouraging its actors to break the fourth wall. “

For the full article, click here. (All by itself, the picture of METROPOLIS projected outdoors is worth clicking through.)

~Jed Dietz, MFF Director