Posts Tagged 'COME BACK AFRICA'

Festival Programming Highlights #4: WILD IN THE STREETS; COME BACK, AFRICA; and SUN DON’T SHINE

As the 2012 Maryland Film Festival starts tonight (gulp), let’s step up our programmer’s picks. Here’s not two, but three new picks from MFF Director of Programming Eric Hatch.

WILD IN THE STREETS directed by Peter Baxter

WILD IN THE STREETS
Those who know me know that I wouldn’t be recommending a sports documentary unless it was something special. WILD IN THE STREETS is something special. Since medieval times, hundreds of people in the small UK town of Ashbourne have played a game. Anything goes for days, as massive swarms of people huddle a ball to goals miles away. Meanwhile, the game fights for survival as suburban homogenization creeps into the area. This very cool documentary is, on some level, about an all-consuming passion for sport, and appealing so, but the larger issues of community and tradition hold a universal appeal.  WILD IN THE STREETS plays on Friday 5/4 at 7:00pm at the WindUp Space and again on Saturday 5/5 at 1:30pm at the Charles Theater.

SUN DON'T SHINE directed by Amy Seimetz

SUN DON’T SHINE
If you share my fascination with ’60s and ’70s renegade filmmaking, well… this one’s for us. Director Amy Seimetz (who co-starred in MFF 2011’s SMALL POND, among many other credits in front of the camera) cites inspirations like A WOMAN UNDER THE INFLUENCE and TWO-LANE BLACKTOP, and it shows. This sweaty, grimy, swampy underground thriller is Florida-set and 16mm-shot, and would, not incidentally, pair very well with John Waters’ MFF 2012 pick, Barbara Loden’s 1970 feature, WANDA.  SUN DON’T SHINE plays on Friday 5/4 at 5:00pm and again on Saturday 5/5 at 7:30pm at the Charles Theater.

COME BACK, AFRICA directed by Lionel Rogosin

COME BACK, AFRICA
Those who caught ON THE BOWERY, the 1950s docu-fiction piece that played recently as part of the ever-excellent Revival Series at the Charles Theater, might be amazed that COME BACK, AFRICA comes from the same director. But Lionel Rogosin helmed this South African film, perhaps best-known for its break-out musical performances by Miriam Makeba, just three years after his stark New York-set drama. Both films were shot on location with a mixture of professional and amateur performers, with beautiful results. We’re very proud to be showcasing a beautifully restored 35mm print of this anti-Apartheid classic, to be presented by our friends Amy Heller and Dennis Doros of Milestone Films, who also brought us 2007’s restored print of KILLER OF SHEEP.

– Eric Hatch, Director of Programming

MFF Announces First Round of 2012 Titles!

Here’s a sneak peek at our first press release of MFF 2012 feature-length films. More soon! Thanks to everyone who came out to our Friends of the Festival MFF 2012 preview event last night. MFF 2012 begins in just three weeks – see you at the movies!

***

The fourteenth annual Maryland Film Festival takes place May 3-6 in downtown Baltimore, and the festival is thrilled to announce its first round of 2012 titles.

As with every year, the MFF 2012 full line-up will include 40+ new feature films and 75+ new shorts from around the world, as well as a vintage 3-D filma silent film with live music by Alloy Orchestra, and a favorite film selected by legendary filmmaker and MFF board member John Waters.

All U.S.-made feature films will be presented by their filmmakers.
The first 12 announced titles are:

THE ATOMIC STATES OF AMERICA (Don Argott, Sheena M. Joyce)
The documentary team who explored museum politics in THE ART OF THE STEAL and hard-rock hard living in LAST DAYS HERE return with this shocking expose of the flawed logic and outdated infrastructure behind the U.S.’s atomic-energy program.

COME BACK, AFRICA (directed by Lionel Rogosin, presented by Milestone Films)
This 1960 feature, shot without permits in Johannesburg, illustrates the challenges and hardships of black migrant workers in the harsh days of apartheid. To be screened from a beautifully restored 35mm print.

COMPLIANCE (Craig Zobel)
Perhaps the most controversial film from Sundance 2012 lands in Baltimore. Craig Zobel’s narrative feature, inspired by true events, looks at the dark happenings that unfold after a figure of authority calls a fast-food restaurant and accuses an employee of theft.

DETROPIA (Heidi Ewing, Rachel Grady)
From the co-directors of THE BOYS OF BARAKA and JESUS CAMP comes this documentary about the people and places that populate a collapsed metropolis trying to get back up on its feet.

GOD BLESS AMERICA (Bobcat Goldthwait)
MFF favorite Bobcat Goldthwait unleashes this angry, high-octane dark comedy about an unlikely modern-day Bonnie and Clyde who lash out at a vacuous, pop-culture obsessed America.

LOVELY MOLLY (Eduardo Sanchez)
The co-director of THE BLAIR WITCH PROJECT returns to his roots with this heady blend of horror and psychological thrills about a young woman returning to her childhood home.

SAVE THE DATE (Michael Mohan)
This warm mix of drama, comedy, and romance, co-written by acclaimed graphic-novel author Jeffrey Brown, follows a group of tangled friends and lovers in the music and arts scenes of present-day L.A. Stars include Lizzy Caplan (CLOVERFIELD), Martin Starr (FREAKS AND GEEKS), and Mark Webber.

SUN DON’T SHINE (Amy Seimetz)
A grimy, gritty story of two people pushed to the brink in the sweaty landscape of central Florida. Evocatively shot on Super 16mm, and starring festival favorites Kentucker Audley and Kate Lyn Sheil.

 

THIS IS NOT A FILM (Mojtaba Mirtahmasb and Jafar Panahi)
From Iran comes this documentary about, and made in conjunction with, Jafar Panahi (THE CIRCLE, CRIMSON GOLD, OFFSIDE), who was placed under house arrest and banned from filmmaking in December 2010.

THE TURIN HORSE (Béla Tarr)
Hungarian master Béla Tarr’s self-proclaimed final film is a cinematographic tour de force, every bit as stark and provocative as earlier dark epics DAMNATION and SATANTANGO.

 

VITO (Jeffrey Schwarz)
The inspiring story of gay-rights activist and Celluloid Closet author Vito Russo, as told by the documentarian behind SPINE TINGLER: THE WILLIAM CASTLE STORY and the forthcoming I AM DIVINE.

 

WANDA (directed by Barbara Loden; presented by John Waters)
John Waters, who has presented a favorite film in each Maryland Film Festival since its launch in 1999, selects this renegade slice of ‘70s filmmaking by Barbara Loden, to be screened from a beautifully restored 35mm print.