Posts Tagged 'Barbara Loden'

Maryland Film Festival 2012 Announces Todd Solondz’s DARK HORSE For Closing Night!

Maryland Film Festival (May 3-6 in beautiful downtown Baltimore) is thrilled to announce DARK HORSE, the latest “sad comedy” by master filmmaker Todd Solondz, as its 2012 Closing Night selection. The film, starring Jordan Gelber, will be presented the evening of Sunday, May 6th in the historic Charles Theater, with Solondz and members of his cast presenting.

“With two back-to-back masterpieces, Welcome to the Dollhouse (1995) and Happiness (1998), Todd Solondz established himself as the new standard-bearer for American dark comedies-or, as he calls them, sad comedies,” writes MFF director of programming Eric Allen Hatch in the festival’s closing-night program notes. “With DARK HORSE, Solondz has delivered not only his greatest film since those twin ’90s classics, but his most accessible work yet.”

Co-starring Selma Blair, Justin Bartha, Mia Farrow, and Christopher Walken, and coming on the heels of such provocative Solondz features as STORYTELLING, PALINDROMES, and LIFE DURING WARTIME, DARK HORSE is a groundbreaking, all-star work by a major American director.

Also announced for Maryland Film Festival 2012 is its Opening Night program, which each year since 2004 the festival has dedicated to a program of short films. The MFF 2012 Opening Night Shorts will take place the evening of Thursday, May 3rd in the Maryland Institute College of Art’s Brown Center, with each film presented by its director.

The MFF 2012 Opening Night Shorts are:
I Am John Wayne (Christina Choe)
The Kook (Nat Livingston Johnson and Gregory Mitnick)
Modern Man (Kerri Lendo and John Merriman)
Cork’s Cattlebaron (Eric Steele)
Fishing Without Nets (Cutter Hodierne)

This announcement of DARK HORSE and the five Opening Night Short Films come in addition to over 100 films already announced for MFF 2012: 40+ new feature films and 70+ new short films from around the world; a favorite film (Barbara Loden‘s WANDA) presented by legendary filmmaker and MFF board member John Waters; and vintage 3D and silent titles.

All of these MFF 2012 titles and tickets can be found here:
http://www.md-filmfest.com/film-guide-2012.cfm

For more information, please contact Megan Downey (megan@mdfilmfest.com )

MFF Announces First Round of 2012 Titles!

Here’s a sneak peek at our first press release of MFF 2012 feature-length films. More soon! Thanks to everyone who came out to our Friends of the Festival MFF 2012 preview event last night. MFF 2012 begins in just three weeks – see you at the movies!

***

The fourteenth annual Maryland Film Festival takes place May 3-6 in downtown Baltimore, and the festival is thrilled to announce its first round of 2012 titles.

As with every year, the MFF 2012 full line-up will include 40+ new feature films and 75+ new shorts from around the world, as well as a vintage 3-D filma silent film with live music by Alloy Orchestra, and a favorite film selected by legendary filmmaker and MFF board member John Waters.

All U.S.-made feature films will be presented by their filmmakers.
The first 12 announced titles are:

THE ATOMIC STATES OF AMERICA (Don Argott, Sheena M. Joyce)
The documentary team who explored museum politics in THE ART OF THE STEAL and hard-rock hard living in LAST DAYS HERE return with this shocking expose of the flawed logic and outdated infrastructure behind the U.S.’s atomic-energy program.

COME BACK, AFRICA (directed by Lionel Rogosin, presented by Milestone Films)
This 1960 feature, shot without permits in Johannesburg, illustrates the challenges and hardships of black migrant workers in the harsh days of apartheid. To be screened from a beautifully restored 35mm print.

COMPLIANCE (Craig Zobel)
Perhaps the most controversial film from Sundance 2012 lands in Baltimore. Craig Zobel’s narrative feature, inspired by true events, looks at the dark happenings that unfold after a figure of authority calls a fast-food restaurant and accuses an employee of theft.

DETROPIA (Heidi Ewing, Rachel Grady)
From the co-directors of THE BOYS OF BARAKA and JESUS CAMP comes this documentary about the people and places that populate a collapsed metropolis trying to get back up on its feet.

GOD BLESS AMERICA (Bobcat Goldthwait)
MFF favorite Bobcat Goldthwait unleashes this angry, high-octane dark comedy about an unlikely modern-day Bonnie and Clyde who lash out at a vacuous, pop-culture obsessed America.

LOVELY MOLLY (Eduardo Sanchez)
The co-director of THE BLAIR WITCH PROJECT returns to his roots with this heady blend of horror and psychological thrills about a young woman returning to her childhood home.

SAVE THE DATE (Michael Mohan)
This warm mix of drama, comedy, and romance, co-written by acclaimed graphic-novel author Jeffrey Brown, follows a group of tangled friends and lovers in the music and arts scenes of present-day L.A. Stars include Lizzy Caplan (CLOVERFIELD), Martin Starr (FREAKS AND GEEKS), and Mark Webber.

SUN DON’T SHINE (Amy Seimetz)
A grimy, gritty story of two people pushed to the brink in the sweaty landscape of central Florida. Evocatively shot on Super 16mm, and starring festival favorites Kentucker Audley and Kate Lyn Sheil.

 

THIS IS NOT A FILM (Mojtaba Mirtahmasb and Jafar Panahi)
From Iran comes this documentary about, and made in conjunction with, Jafar Panahi (THE CIRCLE, CRIMSON GOLD, OFFSIDE), who was placed under house arrest and banned from filmmaking in December 2010.

THE TURIN HORSE (Béla Tarr)
Hungarian master Béla Tarr’s self-proclaimed final film is a cinematographic tour de force, every bit as stark and provocative as earlier dark epics DAMNATION and SATANTANGO.

 

VITO (Jeffrey Schwarz)
The inspiring story of gay-rights activist and Celluloid Closet author Vito Russo, as told by the documentarian behind SPINE TINGLER: THE WILLIAM CASTLE STORY and the forthcoming I AM DIVINE.

 

WANDA (directed by Barbara Loden; presented by John Waters)
John Waters, who has presented a favorite film in each Maryland Film Festival since its launch in 1999, selects this renegade slice of ‘70s filmmaking by Barbara Loden, to be screened from a beautifully restored 35mm print.