MFF 2012 Title ONCE UPON A TIME IN ANATOLIA Opens TOMORROW at the Charles Theater!

ONCE UPON A TIME IN ANATOLIA

In case you missed it at the 2012 Maryland Film Festival, Istanbul-born director Nuri Bilge Ceylan‘s ONCE UPON A TIME IN ANATOLIA opens TOMORROW at the Charles Theater as part of its  Revival Series.

SHOW TIMES:
SATURDAY morning, MAY 19 11 AM;
MONDAY, MAY 21 7 PM;
THURSDAY, MAY 24 9 PM.

FILM SYNOPSIS:
In the dead of night, a group of men – among them, a police commissioner, a prosecutor, a doctor and a murder suspect – drive through the Anatolian countryside, the serpentine roads and rolling hills lit only by the headlights of their cars. They are searching for a corpse, the victim of a brutal murder. As night wears on, details about the murder emerge and the investigators’ own hidden secrets come to light. In the Anatolian steppes, nothing is what it seems; and when the body is found, the real questions begin.

TRAILER:
Trailer for ONCE UPON A TIME IN ANATOLIA

“ANATOLIA is a cop movie and a road movie – but mostly it’s gorgeous cinema.”
- Andrew O’Hehir, Salon

“ONCE UPON A TIME IN ANATOLIA is, in a word, great.”
- Stephen Holden, The New York Times

“A few days into 2012, and we already have a favorite for the new year’s best movie: Nuri Bilge Ceylan’s ONCE UPON A TIME IN ANATOLIA.”
- J. Hoberman, Village Voice

“A masterpiece. Gorgeously shot, it’s an absolute must on a big screen.”
- Bilge Ebiri, New York Magazine

CLICK HERE TO PURCHASE TICKETS:
https://www.retrievertickets.com/purchase.php?ostk=7273464&view=Movies

CHARLES THEATER REPERTORY FILMS CALENDAR:
http://gallery.mailchimp.com/93c70071a873656af1e5fe543/files/SCHEDULE_APRIL_2012_FULL_pdf_7.pdf

Check out NYT Profile of Alex Ross Perry, director of MFF 2011′s THE COLOR WHEEL

Alex Ross Perry directed “The Color Wheel,” starring himself and Carlen Altman. Photo courtesy of Alex Ross Perry/Cinema Conservancy.

Check out Dennis Lim‘s The New York Times profile of Alex Ross Perry, whose THE COLOR WHEEL (MFF 2011) opens in New York this Friday.

“AT 27 the New York filmmaker Alex Ross Perry already has two features to his name, both notable for their eccentric ambition and estrangement from the larger landscape of American indie cinema — or perhaps their opposition to it. In a field where so many others are conditioned to produce work that is eager to please, Mr. Perry’s films — the oddball war movie “Impolex” (released last year) and the brother-sister psychodrama-comedy “The Color Wheel” (opening at BAMcinématek on Friday) — are determinedly individual and abrasive, even downright unassimilable.”

Click here for full article in The New York Times!

Posters of the Maryland Film Festival, 1999-2012, in the Baltimore Sun, with Bruce Willen and Nolen Strals of Post Typography!

Before the lights go down and you settle in to watch your first film at the Maryland Film Festival, you’ve already seen them — the ubiquitous festival posters that pop up around Baltimore in the weeks leading up to the event. They’re “almost unavoidable,” says Bruce Willen of Post Typography, the Baltimore design studio that’s created the film festival posters the past two years. Willen, who heads Post Typography with longtime collaborator Nolen Strals, discussed the inspiration for this year’s poster, the design process and more in a Q&A with The Darkroom.

Click here for the complete article in the Baltimore Sun!

BREAKING NEWS: 2012 Maryland Film Festival Officially Breaks ALL Sales Records!

Audience watching “Those Redheads From Seattle” in 3D during the annual Maryland Film Festival at the Charles Theatre. (Photo credit: Karl Merton Ferron, Baltimore Sun)

The 2012 Maryland Film Festival has now come to an end – but oh, what a weekend it was!  We are pleased to announce that this year’s festival has officially broken every sales record in our history  – both for advanced online ticket pre-sales AND daily sales totals at the Box Office!  We are thrilled by your response – thank you for making 2012 break all the records and supporting the work of the Maryland Film Festival!

Click here to read more about our record-breaking year for ticket sales in the Baltimore Business Journal!

John Waters and Patrick Kennedy at Maryland Film Fest 2012!

John Waters (right) meets Patrick Kennedy (left), the detective who got serial killer Jeffrey Dahmer’s confession, in the Charles Theater lobby after our second packed screening of JEFF at the 2012 Maryland Film Festival.  Note: John Waters is not short.

Check out 2012 Maryland Film Festival Coverage in GreenCine Daily

Check out Steve Dollar‘s write up of the 2012 Maryland Film Festival weekend in GreenCine Daily:

2012 Maryland Film Festival outside the Charles Theater. Photo Courtesy of GreeneCine Daily.

“Somewhere around 1 a.m. at the Lithuanian Hall in Baltimore, it hit me. Why shouldn’t this be the place to have a passionate, detailed conversation about independent filmmaking? Film festivals take pride in the range of experiences they can offer guests and patrons, but nothing I’ve experienced quite compares with this backdrop: a packed, sweaty dance floor hopping with enthusiastic groovers, while a DJ plays deep soul classics and Charm City icon John Waters sits in a corner having an intimate chat with a fan. Behind the rectangular bar, burly old guys from the Old Country gruffly dispense $2 bottles of Utenos and Svyturys. I bump into an old friend I haven’t seen in 20 years, and he immediately introduces me to an unalloyed artifact of the city. I don’t understand too much of what he’s trying to tell me, but from his T-shirt I know his name. The garment bears a likeness of his pixelated gaze and wild shocks of white hair framing a bald dome, and underneath his face the legend: Rezzy Ray Has a Posse.”

Click here for the full article in GreenCine Daily!

Last Round of Eric’s Festival Programming Highlights: DARK HORSE

Today is the final day of MFF 2012, and we have films running on all 5 screens of The Charles as well as MICA’s Brown Center and Windup Space. MFF Director of Programming Eric Hatch has been sharing “programmer’s picks” with us all week. Today, fittingly, he turns his attention to our closing-night film: DARK HORSE.

*Please note that tonight’s 7pm screening of DARK HORSE at the Charles Theater has been placed on STANDBY.  If you want to see the film and don’t have a ticket or All-Access pass, a standby line will form outside the Charles Theater 30 minutes prior to the screening.  Once ticketed patrons and pass holders are seated, we will sell the remaining seats to patrons in standby.  We promise to do our best to get as many standby patrons seated as possible!

DARK HORSE

CLOSING-NIGHT: DARK HORSE
Todd Solondz’s films have always felt very, well, Baltimore to me. When I moved here in 1996, Solondz’s breakthrough “sad comedy” (the director’s preferred term for his genre) WELCOME TO THE DOLLHOUSE was enjoying an extended run at The Charles Theater. I saw it more than once, and was blown away. Even more of an impression was made by his 1998 masterpiece, HAPPINESS, which I took in at least three times at The Charles and The Orpheum (R.I.P.).  Yes, his films are sometimes a little sick, dark, and twisted—but how appropriate for the city that produced John Waters, not to mention the festival that has adopted Bobcat Goldthwait as an honorary citizen of sorts.

DARK HORSE is Solondz’s best film since those early sad-comedy masterpieces, as well as his most accessible film yet. Abe (Jordan Gelber) is a petulant and selfish man-child who, firmly on the far side of 30, still lives at home, working for his father and collecting toys. Deeply lonely yet full of blustery delusions of grandeur, Abe aggressively pursues troubled beauty Miranda (Selma Blair). In a moment of weakness, she goes along with his advances, built around his grandiose vision of a life together in his room full of collectibles. This stroke of good fortune surprises no one more than Abe’s long-suffering parents (a note-perfect pairing of Mia Farrow and Christopher Walken)—until, that is, things begin to unravel.

I’ve had the pleasure of interviewing Solondz once (a memorable phoner for Baltimore City Paper circa STORYTELLING) as well as seeing him introduce many a film at the Toronto International Film Festival. His films are a gift, and so is his charming public presence, comparable only to the pleasure of seeing John Waters introduce a film. We couldn’t be more proud to have both Solondz and star Jordan Gelber here for our Closing Night!

A ticket to this film also gets you into our always-fun Closing Night Party (across the street in our tent village) directly after the screening. I hope you enjoy our 2012 Closing Night selection. If I were a festival-goer instead of a festival-maker, I’d be first in line for this one!

Thanks for reading these programmer’s picks this week. I hope you all had a fantastic festival, and discovered a lot of great new films.

-Eric Hatch, Director of Programming

Festival Programming Highlights #7: JEFF, GAYBY

As MFF 2012 reaches its mid-point, here’s another pair of programming picks from Eric Hatch–two very different films, both of which have their first of two screenings today, Saturday, and then repeat on Sunday.

 

JEFF

JEFF
This beautiful, brilliant, and somehow not (visually) graphic film is half-doc, half-fiction, and 100% about Jeffrey Dahmer. That said, this is a million miles from the lurid pulp that comprises most serial-killer film and literature. Instead, what we have here is sometimes quite beautiful dramatic filmmaking a la Gus Van Sant fused to documentary interviews with three people changed by Jeffrey Dahmer—a neighbor, a medical examiner, and the interrogator who got the killer’s confession. We’ll have both director Chris James Thompson and Dahmer’s interrogator, Patrick Kennedy, here for our screenings of this unique hybrid film. JEFF is something unexpected, exciting, and new.  JEFF plays tonight (5/5) at 9:30pm and again Sunday (5/6) at noon at the Charles Theater.

 

GAYBY

GAYBY

GAYBY
Looking to laugh? You can’t go wrong with GAYBY.  As much about straight people looking for love as it is an insider’s look at the pleasures and pitfalls of modern gay culture, this crossover comedy follows two thirty-something friends who, despite incompatible sexual preferences, decide to make a baby (and do it the old fashioned-way). We had director Jonathan Lisecki’s short of the same name here for MFF 2010 and again for that summer’s Artscape, and it was a runaway hit at both. This feature generously reimagines and expands upon that short, with warm and hilarious results. GAYBY brims with a contagious belief in our capacities for love and friendship—and earns it by never cheating in its honest portrayal of real life in all its messy, hilarious, awkward complexities.  GAYBY plays tonight (5/5) at 8pm and again on Sunday at 5:00pm at the Charles Theater.

- Eric Hatch, Director of Programming

Festival Programming Highlights #6: THE ATOMIC STATES OF AMERICA, KID-THING, THIS IS NOT A FILM

As Maryland Film Festival begins its first full day of programming – we’re running films on all 5 screens of The Charles starting today at 11am, as well as MICA’s Brown Center and WindUp Space later today – here’s another round of programming picks from our own Eric Hatch for your consideration.

THE ATOMIC STATES OF AMERICA

THE ATOMIC STATES OF AMERICA
This riveting documentary offers an informative and angering look at the history of U.S. atomic energy. It argues that our nation’s nuclear policy was flawed from the very beginning, and has left us holding a legacy of abysmal environmental conditions, major public-health outbreaks, and dangerously decrepit infrastructure. The filmmaking team here is Don Argott and Sheena M. Joyce, who also brought us both the much-discussed ART OF THE STEAL and MFF 2011’s LAST DAYS HERE.  From the shady politics behind art museums to the dark side of the hard-rock lifestyle, these filmmakers keep tackling intriguingly different topics with consistently exciting results. Bonus points for some very funny (and insightful) appearances from Alec Baldwin! THE ATOMIC STATES OF AMERICA plays tonight at 9:40pm at MICA.

 

KID-THING

KID-THING
We love the Zellner Brothers here at MFF. From their many psychotronic, madcap shorts to their delirious 2008 feature GOLIATH, Nathan and David Z. have long been favorites of Baltimore audiences (and film programmers). Their new feature KID-THING, which premiered at Sundance, gives their aesthetic an unexpected art-house twist as it follows a mischievous 10-year-old Texas girl who, through solitude, has developed a unique outlook on life. It’s an offbeat, sumptuous film that’s like a mash-up of THE CATECHISM CATACLYSM and (the good parts of) TREE OF LIFE. We’re very proud to have both Zellners here, alongside cameraman Clay Liford and lead Sydney Aguirre, who delivers an amazing film-debut performance.  KID-THING plays tonight at 5:30pm at the Charles Theater, and again at 5pm on Saturday 5/5 at the Charles Theater.

THIS IS NOT A FILM

THIS IS NOT A FILM
If you’ve been following the political situation of Jafar Panahi, the director behind such masterpieces as THE CIRCLE and CRIMSON GOLD, THIS IS NOT A FILM is simply required viewing. Placed under house arrest and banned from doing the thing he knows and loves best – filmmaking – Panahi responded with this collaborative self-portrait charged with risk and uncertainty. It’s something like a film, made under severely compromised conditions. As Mika Sam writes in our program notes for the film, “Not merely concerned with the everyday, THIS IS NOT A FILM poses compelling questions about acts of defiance and human expression.”  THIS IS NOT A FILM plays tonight at 7:30pm at MICA and Saturday 5/5 at 12:00pm at the Charles Theater.

- Eric Hatch, Director of Programming

 

 

SATURDAY

 

As MFF 2012 reaches its mid-point, here’s another pair of programming picks from Eric Hatch–two very different films, both of which have their first of two screenings today, Saturday, and then repeat on Sunday.

 

JEFF

This beautiful, brilliant, and somehow not (visually) graphic film is half-doc, half-fiction, and 100% about Jeffrey Dahmer. That said, this is a million miles from the lurid pulp that comprises most serial-killer film and literature. Instead, what we have here is sometimes quite beautiful dramatic filmmaking a la Gus Van Sant fused to documentary interviews with three people changed by Jeffrey Dahmer—a neighbor, a medical examiner, and the interrogator who got the killer’s confession. We’ll have both director Chris James Thompson and Dahmer’s interrogator, Patrick Kennedy, here for our screenings of this unique hybrid film. Jeff is something unexpected, exciting, and new.

 

GAYBY

Looking to laugh? You can’t go wrong with Gayby.  As much about straight people looking for love as it is an insider’s look at the pleasures and pitfalls of modern gay culture, this crossover comedy follows two thirty-something friends who, despite incompatible sexual preferences, decide to make a baby (and do it the old fashioned-way). We had director Jonathan Lisecki’s short of the same name here for MFF 2010 and again for that summer’s Artscape, and it was a runaway hit at both. This feature generously reimagines and expands upon that short, with warm and hilarious results. Gayby brims with a contagious belief in our capacities for love and friendship—and earns it by never cheating in its honest portrayal of real life in all its messy, hilarious, awkward complexities.

Festival Programming Highlights #5: THE BLACK BALLOON; PORFIRIO; OSLO, AUGUST 31st

For today’s programming picks, I wanted to highlight three exceptional titles that are only screening once during MFF 2012. If you’re intrigued by these films, be sure to flag their single screenings as must-sees on your schedule!

 

THE BLACK BALLOON

THE BLACK BALLOON
If I could sit and watch one program during the festival (instead of running around like a chicken with its head cut off), it would probably be this one. This comedic and touching journey of a balloon through present-day New York City comes to us courtesy of the inimitable Safdie brothers (of MFF 2010’s DADDY LONGLEGS). The Safdies have paired their latest short with classic titles The Red Balloon, The Balloonatic, and The Pincushion Man (aka Balloon Land) for a charming feature-length program of balloon-themed shorts. This is something really different, and I’m so glad it came together.  THE BLACK BALLOON plays Sunday 5/6 at 4:30pm at the Charles Theater.

PORFIRIO

PORFIRIO

PORFIRIO
A paralyzed Bogota man, upset that his government benefits aren’t forthcoming, methodically plots a drastic action. Amazingly, not only is this dramatic film based on a true story, but also the real-life protagonist plays himself (as do many of his friends and relatives). I don’t like throwing around the phrase “brave performance” lightly, but this one more than qualifies. This film, alongside Yorgos Lanthimos-starring ATTENBERG, deserves a DOGTOOTH alert, as that film’s cinematographer also shot this one. I’d also recommend it to anyone who responded to past MFF international titles as different as Argentina’s LIVERPOOL and Thailand’s MUNDANE HISTORY, films that manage to be quiet, patient, subversive, and beautiful all at once.  PORFIRIO plays Saturday 5/5 at 5:00pm.

 

OSLO, AUGUST 31st

OSLO, AUGUST 31st
I loved REPRISE, the debut film by Joachim Trier, a barbed drama about a pair of aspiring authors harboring misogynistic hang-ups. Based upon the same novel as Louis Malle’s classic THE FIRE WITHIN, OSLO follows a recovering addict on his first day-leave from a rehab facility. Astonishing lead Anders Danielsen Lie’s deeply expressive face fills the screen with feeling, equal parts bemused and pained by the new ways family and old friends react to him. Nelson Kim sums it up beautifully for ace film blog Hammer to Nail: “Though the film is all about disappointment and failure, as a work of art, it’s a triumphant success. Trier has the rare gift of creating cinematic scenes and sequences that are like perfectly achieved pop songs; certain passages in OSLO…are condensations of style and story and emotion that linger in your consciousness like rooms you’ve lived in and people you once loved.”  OSLO, AUGUST 31st plays Saturday 5/5 at 10:00pm at the Charles Theater.

- Eric Hatch, Director of Programming

Next Page »


#MDFF12: YOUR HASHTAG FOR MD FILM FEST 2012!

Tweeting about this year's Maryland Film Festival? Use #MDFF12 to join the discussion, and follow us @MdFilmFestival during the festival for announcements, schedule updates, and ticket availability!

Connect With Us!

  • 1 - Our Website
  • 2 - Mailing List
  • 3 - Facebook
  • 4 - Twitter
  • 5 - YouTube

Follow

Get every new post delivered to your Inbox.

Join 4,045 other followers